Sankranthi's big films: Weak climax is common element
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What do Nannaku Prematho, Dictator, and Soggade Chinni Nayana have in common? It's weak climax.
The sentimental climax of Sukumar's film has been receiving a mixed response. While the audiences have been unequivocal in giving full points to NTR's studied portrayal of an emotionally traumatized son in the climax, most are of the view that the climax is not entirely without its share of weaknesses. Some feel the scene before the hospital scene too did not give the audience a high, especially as NTR accomplishes his mission with a 'Srimannarayana' touch. There was need for some action, feel sections of audiences.
As for Dictator, the climax comes undone. This could be because the story is formulaic and Balakrishna's identity once established in the flashback doesn't give way to further evolution toward the climax. As a result, all that the climax has is some action and a punch line, complete with Balakrishna thumping on a lion's statue.
Soggade Chinni Nayana's climax is found to be insubstantial. While entertaining throughout, the climax does with action. What man feel is that factors like visual treat, intense drama and exciting action goes amiss here.
It is to be seen how far the audiences' many perceptions work for or against the stupendous success of these films.
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