Chennai Thendral, Trisha, continues to shine brightly even as she gracefully navigates her 40s, taking on lead roles opposite A-list stars. Her enduring success has left many of her contemporaries and co-stars feeling envious and perhaps a tad jealous. In an industry where the shelf life of heroines is often limited to a mere five years, and once they cross into their 30s, filmmakers tend to sideline them in favor of younger talents aged 18-28.

Despite these challenges, Trisha is turning heads by lining up a series of remarkable projects, surprising everyone in the industry. From her modest debut with a supporting role in the Tamil romantic drama "Jodi" (1999), Trisha swiftly transitioned into lead roles with "Mounam Pesiyadhe" (2002) and rose to fame with blockbuster films such as "Saamy" (2003), "Ghilli" (2004), and "Aaru" (2005) in Tamil cinema. In Telugu cinema, her success continued with hits like "Varsham" (2004), "Nuvvostanante Nenoddantana" (2005), "Athadu" (2005), and "Aadavari Matalaku Ardhalu Verule" (2007), earning her three Filmfare Awards for Best Actress in Telugu.

Her recent noteworthy performances in Mani Ratnam's epic "Ponniyin Selvan" (part 1 and part 2) garnered praise, and she was last seen alongside Thalapathy Vijay in "LEO." Trisha is currently embarking on high-profile projects, including Mohan Lal's "Ram" directed by Jeethu Joseph, Kamal Haasan's "Thug Life" under the direction of Mani Ratnam, Ajith's "Vidaa Muyarchi" directed by Magizh Thirumeni, and she is now gracing the screen in Chiranjeevi's socio-fantasy entertainer "Vishwambhara," helmed by Vashishta. In addition to her regional ventures, she is also part of Salman Khan's "The Bull," directed by Vishuvardhan.

Trisha's enduring beauty and talent have left her fans super excited, as she continues to captivate audiences by romancing top stars, proving that age is no barrier to her timeless charm and allure. Her journey in the industry remains an inspiration for many aspiring actors, showcasing that talent and grace can transcend age constraints in the ever-evolving world of cinema.